Race walking, with its apparently ungainly movements, might have an image problem, but most talented walkers can easily outpace casual runners. Libby Rainey explores the combination of eccentricity and determination required to succeed as a race walker.
In politics, 'I deeply regret' is not the same as 'I am sorry'. Ahead of the French elections, Christopher Prendergast considers the relation of François Fillon's campaign to the political language of regret.
This week, on the 8th of March, thousands will renounce their daily demands to strike for International Women’s Day. Women are calling upon women to act, or not act, in any way they can: to 'put a broom outside the front door or a banner in the window; bang pots and pans, change your facebook profile to the image of the Strike, refuse to do the washing up or the shopping, charge double for sex work'.
Despite its mainstream success at the box office, 'La La Land' resists fulfilling the usual Hollywood romance narratives. Reading the film alongside Roland Barthes's 'The Lover's Discourse', Rebecca Liu suggests that the message of both is that "to love, sometimes, means to know when it is time to let go".
‘Second-Hand’ is a series of alternative book reviews. Traditional reviews, with their emphasis on the latest and greatest novels, risk leaving the reader behind. This column offers a breathing space, by focusing each time on a single second-hand book. The focus of this column is on chance encounters, revisionary readings of classic novels, and on the margins of the literary canon. It is a celebration of the book as physical object, in an […]
‘Second-Hand’ is a series of alternative book reviews. Traditional reviews, with their emphasis on the latest and greatest novels, risk leaving the reader behind. This column offers a breathing space, by focusing each week on a single second-hand book.
The focus of this column is on chance encounters, revisionary readings of classic novels, and on the margins of the literary canon. It is a celebration of the book as physical object, in an […]
During the Conservative Party Conference last week, the prime minister gave a speech critical of those in the political class who turn up their noses at the public’s patriotism, national pride, and pro-British sentiment. Our editor Chris Townsend thinks through May's comments with George Orwell on his side.
Black American writer Chester Himes turned his back on America for good in the 1950s after a brief stint in prison and a less-than-stellar writing career (at least as far as white publishers were concerned) in the U.S. His late fiction, notablyBlind Man with a Pistol and the posthumously published Plan B give vent to his rage against America at the same time that the novels dissect the origins of not only Himes' rage but perhaps also the rage fueling today's white on black violence in America. Alice Mikal Craven looks at how Himes' works potentially illuminate issues of white on black violence in American today.
When agreeing to write something about solidarity and the referendum a day before the whole thing actually took place, I envisioned a more or less fluffy piece proclaiming that all our little acts of EU love had not been for nothing: after all the British had voted Remain. I had this sentence in my head about how I’d want to hug the whole world after reading the good news, […]
In a critical response to King’s Review editor Claire Aichholzer’s article Leave room for alternatives in art, Wisconsin-based exhibitions coordinator and curator James Pearson defends the reputation of art museums. Pearson argues that while fine art is tied to wealth, museums have guarded their status as institutions by and for the public. In response to Aichholzer’s call for alternative art spaces, he concludes that museums are an ordered, necessary archive that in fact make art digestible to a larger audience.